Saturday, 13 October 2012

OCR G322 Monarch of the Glen Extract (Age Representation)

Costume/Characters

The establishing shot shows the countryside setting in which two characters come into shot in shabby hats. In the background there are a group of other middle aged working class characters, all similarly dressed. This shows that they are all within the same age range, working as a community.

All of the older characters are wearing denim jackets, coats, chequered shirts and plain, dirty trousers. This shows that they are working class characters and the dirty clothing especially, suggests that they have been working at the farm a long time.


The younger characters, Amy and Paul’s son, are wearing t-shirts, hoodies and jeans which are more fashionable clothing compared to the working class characters. Although Paul’s son is working, he is wearing more presentable clothing than the others. They both look almost out of place with their clean clothes in the middle of a dirty farm environment.

The headmaster’s senior age and status is represented through his costume – tweed jacket, tie, sensible jumper. Also, his grey beard emphasises his late middle age and sets him apart as different from Amy and Paul. His overall costume shows that he is traditional and of a higher class than the working class characters. He drives an expensive car and his language, accent and posture, shows authority, which comes with age. His manners whilst speaking to the younger girl, Amy, shows his power over her.
 
In the scene, where the headmaster is talking to Tom, the use of the prop; the glass of brandy, shows that the headmaster is being given respect, by being handed it. The cut glass that is used for the brandy also portrays Paul as quite wealthy and perhaps materialistic. The mise-en-scène of the costume is significant as the headmaster is showing his higher class and status. The scene also uses key lighting to highlight the headmaster in the shot. There is a contrast between the background and the headmaster.
 

Different shot types/camera angles

Camera shots are used to represent different age groups. A mid shot of Amy and Paul’s son show their relationship and age similarity. As they are wearing similar clothing, it shows that they are of the same status/class. The mid shot also allows us to see the emotion and body language portrayed by the two characters. Amy’s tense body language and anxiousness, portrays her as worried and unsure. Close up shots are used in this scene and throughout the clip to portray the character’s emotions. In this scene, with the close ups, small facial expressions and mood changes can be recognised.

Also, the way Amy slouches as she stands emphasises her youth and immaturity. This is accentuated by the particular camera angle, which looks down on Amy, portraying her as young and small. The juxtaposition of the setting is key as the background is very dark and boring but when Amy comes into the shot, it is clear how much brighter she is because of her clothing.

Amy’s face expresses worry and apprehension, (close up shot), while she is trying to remember how to drive a car. The audience is unaware that she is only sixteen at this point in the clip. However, the close ups do allow the audience to determine Amy’s age; Amy’s young, vulnerable character allows the audience to take pity on her. Amy’s youth is again confirmed when she is muttering to herself, trying to remember the correct order of the pedals.

 
Paul’s conversation with Amy, while he is shouting, is shown from two different angles. The first angle, Paul’s perspective from above, shows the vulnerability of the young, sixteen year old Amy. The second angle, from below, shows Amy looking up at Paul. This shows Paul’s power over Amy. The amount of power that Paul has is a result of his age and authority and which he uses to his advantage.


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